• Artist Statement
    Considering Industrial Infrastructure

    My artwork explores the aesthetic experience of the ignored industrial landscape, presenting, through an artist’s eye, the structures that are all around us, but which we do not always really see.  I want to challenge viewers to shift their assumptions about the landscape -- to recognize, appreciate and find pleasure in the inherent aesthetic importance of industrial systems.  But I also want my work to spur consideration of how we rely on this infrastructure, and yet largely take it for granted.

    My images of water towers, refineries, power plants, factories are not designed to send any predetermined message, about consumerism, conservation, or the marvels of industrial and engineered achievement -- but rather to encourage our community to squarely face, and contemplate, what we often ignore.

    Change, Paradox and Abstraction

    My recent work focuses on transformation and flux.  The work examines changes of state and perception -- turning raw material into energy, shifting our view of industrial structures from blight to beauty, and back again.  Metamorphosing photographic images -- from positive to negative, realist to abstract, architectural to geometric, digital ink to charcoal – helps reveal the paradoxes of the our relationship to the man-made landscape. The images transcend documentary photography, since I abstract and transpose the subjects to evoke the experience of particular places --- infrastructure in full working operation, and unused assets that have aged and weathered with time.

    Some of the pieces probe the dynamics of iconic “industrial sentinels” that dominate their settings, but are also dependent on, and affected by, the environment itself – a story of mutual interaction and the interplay of architecture, nature, and economics. In the charcoal works, the act of translating the manipulated photographic images into drawings simplifies the composition, and abstracts it further -- interpretation and choice bent on bringing out what is hiding before our eyes.

    --Timothy Makepeace

    Timothy Makepeace personal Bio
    Timothy has been a resident Washington DC artist for all of his adult life.  He considers himself a photographer with a sculptor’s eye and a sculptor with a photographer’s eye.  Besides being an accomplished artist he has experience in architecture and in construction, which has helped shape his vision.
    He received a Bachelor of Fine Arts degree from Cornell University, studied sculpture at the Corcoran School of Art and studied photography at the Smithsonian Institution.  
    His exhibition list include shows at The Octagon Museum, McLean Project for the Arts, Signal 66, Gallery 10, Washington Photography Center, Art Museum of the Americas, Strathmore Hall Arts Center, The Corcoran Museum, 410 GoodBuddy, DC Arts Center, NASA Goddard Flight Center, to name a few.
    His recent artistic focus has been on what he calls “Industrial Sentinels” which stems from his long-time interest in large industrial infrastructure. The work aims to highlight the visual impact of industrial structures on our landscape, and the interplay of architecture and nature.